Luminiscent Write-ups and the Performances on the Stage of the Night

  • A tiresome business of the day ended by a long journey through the coastal road in a March in the past. Temple festivals had already been started around.So  when I reached home, I thought of what happens that night in the nearby temples, it was heard that there had a classical dance-drama performance of ‘Kathakali’ ( which literally means the Play enacting legendary tales) that night. My thoughts departed me when the percussions were resonated over the lakes and lands on the ways across the temple, proclaiming the staging of the Play that night! The dusk was finished and I set out to reach over there….the night has fallen over the large field of the temple ; the entry part of  that night’s performance had started, at a glance away from the road it was like a splash of golden yellow and orange for a moment when the shutter-button of my Nikon FM10 was released alive.

    The Play with the entry of the Almighty is considered as optimistic to have a successful finish of the night-long performances

      •   When the ‘Entry’ was finished by half an hour, there started another session of percussions and singing where each one among the musicians competed with each other so as to have a triumph over the silent night! About an hour later these notes of concerts of curtain raising, the actual Play got a start  with the emergence of the main character , especially the hero with the accompaniment of the heroin.Here it was a king and queen in a tale from the Classic, Bharatha, the legend of ancient India. Thus, with the song of praise, the curtain was unveiled before them..(it is conceived that the curtain stands for the universe)

      The Play gets the start when the curtain unveils the hero accompanied by his female counterpart

        •    Here the king and queen are young couple having just married and at the thrill of the honeymoon..so they enjoy the spirit of togetherness in high ecstasy in the milieu of the royal garden and sense everything charming and delicious to the body and mind  ,adding a heavenly reach to each other through the harmonizing situations and melodies of glorification…all the way they conjure up the beauty of the garden.On the stage, an awesome garden from the ancient times is reincarnated by the performers in the role of the royal couple with the help of expressions mainly on the face, especially the eyes,eyebrows,lips and the entire face filling with the nine sentiments ,and with gestures quite rhythmic and full of harmony encoded by the classical notes in variant points and counter-points emerging out of austere drums and narrative lines in songs .
        • We see many gardens in many parts of the world in reality but the charm of garden being created here through the bodily expressions as described above develops itself into a full moonlit night as such decorating the honeymoon mood of the royal duet; the overwhelming passion on their faces become quite evident in postures depicting their love and attraction towards each other .
        • When these narrative session is over, they begin their dwelling in the court as the role model as husband and wife in the might of the kingdom;They start living together….
    • ‘Damayanthi’ ,the queen,expressing the honeymoon spirit

      A garden fantasy is recreated on the stage by the steps,gestures, facial expressions and lyrics in a classical dance-drama performance

After a while an element of evilness come across their way and causing innumerable troubles to them and separates them mercilessly with the help of another person in the vicinity of the king who was intolerant with the well being of the majestic pair.This character is the embodiment of evilness in the form of intolerance, personifying lust,anger and arrogance in sensuality. He is called ‘Kali ‘who stands for everything suppressed and subdued in the form of a devil, dark and black in nature.

‘Kali’.the incarnation of intolerance and viciousness

the wild hunter at the queen with a request of love

Thus the queen ‘Damayanthi’ was separated from her king by ‘Kali’, the evil spirit and was deserted by the king himself for the sake of rescue inside a wildest forest far away from the kingdom and ‘Nala’,the king left the kingdom and lost himself in disguise as a horse-man in remote kingdom with another king .
Inside the forest, the young queen was saved from the catch of a huge snake by a wild hunter and as a thanks he approached her for love and living together inside the forest as his wife…anyway it proved to be a test for her to show her loyalty and integrity in love towards the king whom she conceived as everything in life! So when the hunter forced her further for his lust in love,she,with her magical fire of chastity, destroyed the hunter into ashes and saved herself from that crisis!

Thereafter, she met with some virtuous on goers in the forest and managed to reach her people in her homely palace and with great efforts regained her king with their kingdom from the clutches of ‘Kali’ and his instruments of evilness…and begun living again with her own king in more love than ever!joining together with love more pleasing than ever

The night of the Performance was almost to end ;now ‘Damayanthi’ ,the queen and the  core of the Play faced the  lamp on the stage of ‘Kathakali’ with a bow of gratitude to the early stars of the dawn unveiling themselves in the eastern sky!

‘Damayanthi’ the queen with a bow to the lamp on stage

The Nondetachable Bondage or the Blossoming Fertility Signs in Yellows

The Spring Season Contrast in Colors

The midsummer blossoms create a sweet and hot contrasts in yellow


The yellows denote a color of bloom generally that catches up with light,heat and fragrance to the heart of viewers. It is thought more or less as the color of blossoms that sprang up in the early midsummer so as to have a healing touch to the eyes against the hottest sun with a proclamation that the fertility of the earth is quite surviving all the challenges of the seasons!

a ritual of the spring season

Flower decoration as a part of celebrating the spring festival in the southern part of India

In the spring season festivities celebrated in Kerala,the southern part of India, flower spread outs laid out in circular forms pose a symbolic representation of the seasons that occur profoundly in nature wherein each and every season is represented by the petals of flowers varying in colors and radiance and the prominent layers in yellow underlining the vividness of the entire form.All these efforts are to commemorate the dynamism of nature that brings fertility back into the earth on completion of each circle of the seasons. This bondage between the earth and the seasons that rejuvenate the essential spirits of all natural inhibits of this world is in a sense of life, is somewhat ‘nondetachable’ and motherly. So when I conceived one of my latest works in oil, I named it “The Nondetachable Bondage” wherein the visibility of attachment in terms of affection and affinity are unveiled in the shades of yellows with softest contrasts and the mild and blooming forms of motherliness!

Painting in Oil on Canvas

One of my latest paintings in oil on canvas depicting the bondage between the seasons in nature that affectionately fills up the earth with blooming fertility